From the outset, Marina Abramović's practice has pushed the limits of experimental art, with actions that function as purification rituals in her quest for an absolute freedom. This work belongs to the broader series titled The Balkans and is deeply intertwined with her performance Nude with Skeleton. The piece draws inspiration from an ancient Tibetan tradition, where monks meditate on impermanence by sleeping in cemeteries alongside decaying corpses. In Self-Portrait with Skeleton, Abramović confronts the inevitability of her own death, using the skeletal form as both a companion and a mirror.
Name
Portrait with Skulls #520
Owner
0xd138DaC26F780c6e8b28931F3E05b53184624184
ID#520
Rarity
MID:36%
Asset
Skulls
X-HI:12%
Background
Light grey blue
X-HI:10%
Clothes
Black scoop neck
MID:45%
Asset's Style
White
X-HI:5%
Style Rarity
Common