From the outset, Marina Abramović's practice has pushed the limits of experimental art, with actions that function as purification rituals in her quest for an absolute freedom. This work belongs to the broader series titled The Balkans and is deeply intertwined with her performance Nude with Skeleton. The piece draws inspiration from an ancient Tibetan tradition, where monks meditate on impermanence by sleeping in cemeteries alongside decaying corpses. In Self-Portrait with Skeleton, Abramović confronts the inevitability of her own death, using the skeletal form as both a companion and a mirror.
Name
Portrait with Skulls #566
Owner
0xa9c4DE40B33c2142d0270Deb6c8c49544d3c96A5
ID#566
Rarity
MID:31%
Asset
Skulls
X-HI:12%
Background
Light blue
X-HI:10%
Clothes
Black scoop neck
MID:45%
Asset's Style
Crash test dummy
EX:2%
Style Rarity
Common